The closing piece is based on the oldest Indian scale - bhairav. The singer improvises on its tones using a fundamental, non-rhythmical part of raga called aalap. The singer starts within the frame of the pure Hindustani alaap. As it climbs up to the upper register of the scale, almost unnoticeably he switches to the tragic aesthetic of the martinete, ending with a deep quejío (lament). This Indian raga reminds flamenco not only thanks to its scale, but also voice ornamentation. We will hear the sounds of an anvil towards the end, which before was a unique accompanying instrument when flamenco sounds were flowing only from a gypsy smithy.